Audiences will have many screens to watch news anytime and anywhere, and to draw their attention, particularly the young, broadcast journalists must have a story
Author: Editor
‘Invasion of Globalised Content’
Asian media is raising concerns about the ‘invasion’ of globalised content on various screens that threatens local content and may necessitate government regulation such as
ASBU’s Commits Support to AIBD Activities
The Arab State Broadcasting Union (ASBU) announced it will continue to support the Asia Media Summit, 2017, the World Television Awards and pledged more Arab
Monetising Content
Broadcasters were urged to preserve good content by digitising and managing it efficiently in order to share this valuable resource to future generations and enable
Harmonious Integration between Traditional and New media
Information Minister Hasanul Haq Inu of Bangladesh said on Tuesday traditional broadcasting and social media need not clash instead they should work towards harmonious integration
UN Chief Urges Better Protection for Independent, Free Media
UN Secretary General Ban-Ki-Moon expressed Tuesday his concern about the “increasingly restrictive environment for media workers in many countries,” saying that constraints on freedom of
Asia Pacific to Lead Development of Global Broadcasting Content
Mr. Choi Yanghee, Korean Minister of Science, ICT and Future Planning (MSIP) said on Tuesday that the Asia-Pacific region, home to four billion people and
Making the Most of Radio Content
Radio stations in developing countries are missing opportunities in making their content live after they’ve broadcast it. They must learn to broaden their audience “by
New Ways to Tell Compelling Stories through Data Journalism
News organisations across the globe are increasingly using data journalism to find new and compelling ways of telling stories with numbers and infographics, and make
AIBD’s Future Plans
AIBD Director Chang Jin shared Monday some of AIBD’s future plans in his message to participants in the presummit event on ‘Drones for Content Production,’
